'Down in the Valley': The movie, like the romance, falls apart
The Atlanta Journal-Constitution
Long before Edward Norton's delusional-cowboy-in-California movie "Down in the Valley" completely unravels, which it does with reckless disregard for story, the movie bides its time by being just plain irritating.
ThinkFilm
D+ The verdict: Down and out. Director: David Jacobson On the web |
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This is Southern California indie filmmaking at its most overripe, with lingering, moody scenes shot in the San Fernando Valley and a moaning soundtrack.
"Valley" features two-time Oscar nominee Norton as a modern-day wayward cowboy he either is one or thinks he's one who kind of sashays into a passionate and deadly dangerous love relationship with a teenage girl played by Evan Rachel Wood ("Thirteen").
At first, the actors are spot on, their characters serving almost as parallel innocents. That Norton's grown-up cowboy appears to be so naive merely underlines the pending danger.
Unfortunately, writer-director David Jacobson's story goes haywire. First, he allows Norton to spend too much time alone in front of a mirror a la Robert De Niro in "Taxi Driver." Then the director sends his own story into a kind of bizarre neverland, with his runaway cowboy running headlong into a Western movie set and, ultimately, a kind of shootout in a burgeoning subdivision with two-car garages.
Strange? Yes. Does it work? Uh, no way.
