East-West
Grade: B-
Verdict: An uneven Iron Curtain epic.
Details: Starring Sandrine Bonnaire,
Oleg Menchikov and Catherine Deneuve. Rated PG-13 for
violence and brief sensuality. In French and Russian with subtitles. 2 hours, 1 minute.
Rate it: Write your own review
Review:
It's not the welcome home they expect. When Russian emigres
return to Russia after World War II, invited warmly by Josef Stalin
himself, they're met in their former motherland by soldiers with
guns. Some of them are shot on sight. Some are sent to labor
camps.
By comparison, Alexei (Oleg Menchikov) and his French wife, Marie
(Sandrine Bonnaire), look lucky. At the start of "East-West," they're
spared Stalin's wrath, primarily because Alexei is a doctor. He's
young and useful. So, with their young son, they're sent to Kiev,
where they're assigned a single-room apartment in an overcrowded
boardinghouse. It's a nest of paranoia where tenants are ready to
denounce each other to the police as a show of their patriotism.
Finding herself trapped in an open-eyed nightmare, Marie
desperately tries to find ways to regain her liberty and return to
France. Every move she makes is monitored and reflects badly on
Alexei, who, to her growing horror, seems to be trying to be a model
citizen and move upward in the Soviet hierarchy.
Their marriage becomes what appears to be an act of mutual
betrayal, as each tries to survive Stalin's brutal regime in ways that
undermine their trust in each other. The breach between them
widens when two very different people enter Marie's life.
The first is Gabrielle (Catherine Deneuve), the grand French actress
whose theater company tours through Kiev, and whom Marie sees
as a possible liaison between herself and the French government.
The second is Sacha (Serguei Bodrov Jr.), a 17-year-old swimmer
who, like Marie, would like to escape Russia. She becomes his
unofficial coach, training him to swim hard, with the hopes of
winning a slot at the European championships in Vienna, where he
could seek political asylum.
Director Regis Wargnier builds an oppressively claustrophobic
atmosphere and constructs several suspenseful sequences. But,
like his Oscar-winning "Indochine," this movie feels both overblown
and undernourished. It takes a fascinating bit of history, then plies it
with melodrama, and the movie seems conflicted between epic
storytelling and intimate drama. After a compelling first half,
"East-West" begins to feel dramatically haphazard; it jumps forward
in time, and its tightly coiled energy starts to dissipate.
It's mainly held together by Bonnaire, whose face is something of a
cinematic wonder--at one moment lush and glamorous, the next
hard and haggard. She gets strong help from Menchikov as a man
more complicated than she thinks, and, of course, Deneuve is
divine sweeping in as a grande dame. The only disappointment in
the cast is Bodrov, with his blank, slightly dumb face. For the
record, his father, Serguei Bodrov Sr. ("Prisoner of the Mountains"),
was one of the screenwriters.
Steve Murray, Cox News Service
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East-West






